Thursday, 26 November 2015

Lysistrata Historical Research

1.What place did theatre have in Greek society?

The Theatre of Ancient Greece (Ancient Greek Drama) was a theatrical culture which really began to flourish and sustain itself in Ancient Greece between 550BC and 220BC.  Athens, which became a significant cultural, political and military power during this time, was at the centre of Drama’s rise to popularity.  An annual festival called the Dionysian, honouring the god Dionysus, was hosted in Athens and played a big part in Drama’s institutionalisation.  Tragedy (late 6th century BC) was the oldest form of theatre in Anient Greece, followed by comedy (486BC) and satyr plays which emerged in Athens.  Greece exported the festival and toured it around it’s numerous colonies and allies to promote a ‘common cultural identity’.  This was really the start of western theatre and it helped western culture to grow on the whole, becoming a more intelligent and sophisticated society.


2.What impact did the play have on each section of society?

With the play being produced and performed initially at the Dionysian Festival during the Peloponnese War, the effect on society would be limited due to the seriousness of the war and the fact that the play was a comedic and satirical view upon their society.  The main victim to the comedy was women as the main joke of the plot lies with the lunacy and ridiculousness of women running Athens.  Despite this however, the play does appear almost prophet-like in some sense, as it seems to show a glimpse of a future society over 2000 years after the play was produced.  In any way, it definitely suggests that women should be listened to, on occasion.


3.What was Aristophanes’ intended impact on the audience?

Aristophanes’ anti-war motives are very clear in the play.  His intention is to make a play which the audience find amusing, but also to make one which opens their eyes to the foolishness of war, and to try and edge Athens and Sparta closer to making peace in the Peloponnesian War.  He dislikes the violence and suggests, in his play, that even women were able to understand that the war needed to end, hoping it would prompt people towards peace talks.


4.Ext. What are the conventions of the theatre space at the time of the original performance?

All plays would be performed in open air and during the day.  The stage was a circular dance floor, of which the audience would occupy half the space.


5.Ext. What conventions are used during performances of the time?

There were typically ten comedies produced each year for the Dionysian Festival, however during the Peloponnesian War this number was reduced to six.  The magistrate or commissioner of the town would decide which of the comedies would be performed at the festival(s).  Actors wore masks which completely covered and obscured their faces and their facial features meaning that all expression and emotion had to be shown solely through voice and gesture.  There were no female actors allowed and therefore men would play both sexes.  In order to distinguish between the two, male characters would often be accompanied with large artificial genitals on their costumes to heighten their masculinity. 


Thursday, 12 November 2015

Out of Joint Theatre Company Lysistrata

OUT OF JOINT THEATRE COMPANY


“With director Max Stafford-Clark and Out of Joint one never knows what to expect, except that it will be inventive, individual and humane” - Whatsonstage


ABOUT:

“Under the direction of Max Stafford-Clark the company has premiered plays from leading writers including April De Angelis, Sebastian Barry, Alistair Beaton, Caryl Churchill, David Hare, Robin Soans and Timberlake Wertenbaker; launched first-wime writers such as Stella Feehily and Mark Ravenhill; and staged bold revivals.”

(Taken from their website)


ETHOS:  

Inquisitive, epic, authentic and original: Out of Joint is a national and international touring theatre company, developing entertaining theatre that broadens horizons and investigates our times.


TARGET AUDIENCE:

Being a company who are based around the idea of innovation and creativity, while I couldn’t find out exactly what the Out of Joint Theatre Company target audience is, I know that the audience they will target will probably be adults veering more on the young side, as I imagine a lot of their work may be quite complex to understand for young viewers.


PRODUCTION STYLE:

The Out of Joint style of production is to take something normal or everyday and re-invent how we may look and perceive it.  Out of Joint like to think outside of the box and mould old ideas into new shapes and sizes, creating a completely transformed version of a play or how we may look at things.


LYSISTRATA:

I believe that if Out of Joint were to make a production of Lysistrata, that they would want to remodel it and turn it into something interesting.  Since the play is set in Ancient Athenian Greece, I get the feeling that they may want to modernise the piece and set it somewhere more relatable nowadays.  This could be anywhere but in doing this, they would encourage their audience to see the piece in a different way than they did prior to seeing it; or if they had seen it done before.

As well as this, I also feel that they could change the costume to fit the new setting.  It would be interesting and inventive as they would hope to capture their audience and make them feel differently.  As well as this the setting and audience would likely be realistic and not completely ‘out there’ as otherwise it could alienate the audience.  One way they could do the play would be by making it futuristic and exciting, maybe foreseeing a dystopian future wartime on Earth.  



“You expect something special from the touring company Out of Joint” - The Times